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- <text id=91TT0234>
- <title>
- Feb. 04, 1991: Fiddler's Turn
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1991
- Feb. 04, 1991 Stalking Saddam
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- MUSIC, Page 62
- Fiddler's Turn
- </hdr><body>
- <p>A modern lament finds a home on the charts
- </p>
- <p> Memories of another, older war--a war no one knows except
- from history--were evoked for millions of Americans last
- summer by the ravishingly melancholy fiddle and guitar strains
- that accompanied the PBS series The Civil War. The haunting
- tune, called Ashokan Farewell, had been composed eight years
- earlier, one morning at the end of summer, by a lapsed '60s
- rocker turned upcountry fiddler named Jay Ungar. By wedding its
- beauty and timelessness to hundreds of graphic still photos,
- PBS created an affecting combination.
- </p>
- <p> Since then, the song has assumed its own separate identity.
- With Ashokan Farewell as the centerpiece, more than 200,000
- copies of the series sound track have been sold, and the album
- (on Elektra Nonesuch) is making its way into the higher reaches
- of the hit charts. The single, released Nov. 30, is receiving
- regular play on country stations.
- </p>
- <p> Ungar, 44 and Bronx born, was a founding member of a jolly,
- one-hit '60s rock band, Cat Mother and the All-Night Newsboys.
- He has been running a fiddle-and-dance workshop every August
- for 12 years at the State University of New York, New Paltz,
- Ashokan Field Campus in the Catskill Mountains. It was shortly
- after the conclusion of the 1982 session that Ungar, feeling
- particularly sad, reached for his fiddle and cassette recorder
- and set down Ashokan Farewell. Inspired musically by 19th
- century Scottish laments, Ungar's song was "so special that I
- didn't play it for anyone who wasn't a close friend. I had
- strong feelings about how it might affect people. I was in
- tears when I composed it."
- </p>
- <p> The tune wound up on an album by Ungar's group, Fiddle Fever
- (which also includes his fiance Molly Mason on guitar), and it
- was this version that caught the attention of Civil War
- director Ken Burns. Although Ungar was paid only $4,500 for the
- use of the song, and should see roughly an additional $25,000
- from writer's royalties, there is a fair chance that his
- composition may become something of a classic. History always
- seems to require a lot of farewells.
- </p>
-
- </body></article>
- </text>
-
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